Dallas Theatre Center presents a modernized version of the world famous musical Les Miserables. This memorable, live performance will take you through the ride of your life as you feel the roller coaster of emotions in watching Jean Valjean’s life play out right in front of your eyes.
The Wyly Theatre showcases its own modern take of Les Miserables. When Act One opened with the Prologue, the audience immediately noticed the costume design which lends a hand to the modernization. Javert’s police force are dressed as if they are a special operatives team complete with black clothing and plastic guns.
Nonetheless, the plot remains the same as told written by author Victor Hugo. In addition, the music remains the same, give or take a few words in order to modernize the production. Within the modernization of the musical are a few suggestive, sexual, and political elements that add a touch of comedy to this timeless tale of struggle, prejudice, redemption and forgiveness.
If you thought the movie was great, I urge you to watch the performance. The stage is cleverly designed so as to place the audience in the center of the story. Whereas in the movie, the audience is distant; the cast of the live performance interact with the audience, making it seem as though the audience is taking part in the revolution. Throughout the play, cast members appear both on- and off-stage, sometimes breathing down your neck or sitting in your lap.
Not a single word was spoken or merely uttered. Instead, they were sung in accordance with infectious music. Unlike many musicals where the orchestra plays from a pit below stage, in Les Miserables, the orchestra is located on an elevated platform, center stage. Like the audience, the orchestra in the center of the action.
The singers are extraordinary. Even the children who play young Cosette, Eponine, and Gavroche have voices that I never imagined a youngster could have. Javert had a deep voice that resonated throughout the theatre, conveying his domineering role in the plot. Both young and old Cosette have sweet voices that portray her innocence. Lastly, Jean Valjean, played by Nehal Joshi, has a voice that climbs and descends the scales, echoing the emotions and tension of each scene and paralleling his transformation throughout performance.
This outstanding performance will play at the Wyly Theatre until August 17. Tickets sell quickly, so buy ahead of time. Students may get their tickets with their student ID at Student Rush an hour before curtain at the ticket counter.
I hope you enjoy the show!